If you've been waiting for the release of Susan Kaye Quinn's Third Daughter like I have - here it is!
What happens when you mix steampunk and
bollywood?
Bollypunk
Third Daughter by Susan Kaye Quinn
(The Dharian Affairs Trilogy #1)
Publication date: December 13th 2013
Genres: Adult, Fantasy,
Romance, Steampunk
(The Dharian Affairs Trilogy #1)
Publication date: December 13th 2013
Genres: Adult, Fantasy,
Synopsis:
The Third Daughter of the Queen wants her
birthday to arrive so she’ll be free to marry for love, but rumors of a new
flying weapon may force her to accept a barbarian prince’s proposal for a
peace-brokering marriage. Desperate to marry the charming courtesan she loves,
Aniri agrees to the prince’s proposal as a subterfuge in order to spy on
him, find the weapon, and hopefully avoid both war and an arranged marriage to a
man she does not love.
Third Daughter is the first book in The Dharian Affairs Trilogy (Third Daughter, Second Daughter, First Daughter). This steampunk-goes-to-Bollywood (Bollypunk!) romance takes place in an east-indian-flavored alternate world filled with skyships, saber duels, and lots of royal intrigue. And, of course, kissing.
Third Daughter is the first book in The Dharian Affairs Trilogy (Third Daughter, Second Daughter, First Daughter). This steampunk-goes-to-Bollywood (Bollypunk!) romance takes place in an east-indian-flavored alternate world filled with skyships, saber duels, and lots of royal intrigue. And, of course, kissing.
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Here's an excerpt:
Chapter
One, Third Daughter (The Dharian Affairs #1) – steampunk fantasy romance
The
cloudless night whispered sweet promises to Aniri.
Below
her stone rooftop, the shadows of the forested grounds danced in the summer’s
breeze, their small rustlings calling to her like a lover. The sound was the
perfect cover for escape into the darkness and the warm arms she hoped to find
there. No one should notice her absence. Of all the guards, handmaidens, and
many silent keepers of the royal household, none would venture up to her
private observatory this late in the eve. But she still had to be careful. Even
this close to her birthday, the Queen would not be forgiving if she was caught.
Aniri
scanned the palace grounds to make sure it was clear of any witnesses. The manicured
lawns were empty: the only sign of life came from the distant embassy windows
where gas lamps flickered and soft music trilled from late-reveling partygoers.
Aniri pressed the leather eyecup of her aetherscope to her face, slowly turning
the brass knobs to bring the party into focus. The instrument was meant for
watching the rise of the twin full moons, but it worked well enough for spying
on the Samirian ambassador and her assemblage of guests.
Their
shiny new automaton was thick-legged and awkward, but the Samirian tinker’s
design was still clever: the steam-driven mechanical wonder actually danced,
albeit just one clumsy pirouette after another. When it came to a graceless
stop, the guests snapped their fingers in appreciation. The faint sound of
their applause drifted over the lawn, but the party continued on. With the
grounds still empty, Aniri swung her aetherscope to the forest. The broken
edges of the river snaked through the darkened trees, slipped under a stone
bridge, and then flowed past the red sandstone walls of the Queen’s estate. A
black shape darted out from under the bridge, then disappeared into the shadows
between the trees.
Time
to go.
She
peered over the edge of the balcony. No sense in being caught by someone who
snuck out for a dalliance in the dark. With the way clear, she opened the
leather satchel at her feet and uncoiled the sheet she had twisted into a rope.
Always check your knots, Aniri. Her father’s voice accompanied her on every
climb, but she had to wonder what he would have made of this particular one.
She rechecked the knots. It would cause quite a stir if she plummeted to her
death while climbing down the palace wall.
The
massive stone lion that guarded the parapet served as an excellent anchor. She
looped the rope around it, then stood on the edge of the wall and leaned out
over the blackness. Loop the rope under and between your feet, Aniri. It will
carry your weight. Practical advice, but knots would impede her progress, and
speed was of the essence. She lowered herself, hand over hand, bracing her feet
against the wall. A mossy spot, hidden by the dark and slick with dew, sent her
silk slippers pawing rapid-fire several times before she found purchase between
the giant stone blocks.
Always
use the proper equipment. She took a deep breath. Her father would probably
disapprove of her attire. Silk nightclothes were hardly climbing wear, and she
couldn’t find any plausible excuse to wear her climbing shoes to bed. Her
handmaiden, Priya, was far too clever for that—and already suspicious when
Aniri wanted to retire to her observatory alone. At least she had her
fingerless climbing gloves, and on every climb she wore the thin, braided
bracelet her father gave her. For luck. She thought he would approve.
Hand
over hand, Aniri continued her descent. Halfway down, a sudden clacking broke
the quiet and rose above the scrapings of her slippers on the treacherous
walls. She held still against the cool stone, hands gripped tight on her rope
of sheets. A lone two-wheeled surrey ambled out of the shadows of the Samirian
embassy and headed toward her dark corner of the Queen’s estate. Aniri held her
breath and silently cursed the full two-moon night. If the carriage came much
closer, the occupants would surely see her clinging to the side of the palace
like a spider on her thread.
The
six-hooved beast pulling the surrey slowed as it neared the giant stone statue
of Devkasera. The mother goddess of ancient Dharia loomed larger-than-life,
threatening the carriage with a sword and a scroll—the powers of destruction
and creation—clasped in two of her six hands. The Queen loved the ancient
traditions, so the goddess held a place of respect in the middle of the palace
lawns. Aniri preferred the clean streets and steam-driven inventions of modern
Dharia to the unwashed feet and mystic religion of her country’s past, but that
didn’t stop her from sending a silent prayer to Devkasera—for invisibility for
herself or perhaps a sudden loss of sight by the persons in the carriage.
The
surrey paused at the statue, then veered right and headed for the far wall that
enclosed the estate. Aniri repressed a laugh—perhaps she should pray to
Devkasera to bring her birthday sooner as well. Her arms ached from holding her
position, but she waited until the carriage had passed through the palace gate.
Beyond it, the lights of Kartavya, Dharia’s capital city, winked through the
coal-smoke haze as if giving her an all-clear signal.
Her
muscles rejoiced when she moved again, working her way down the last half of the
wall and dropping the final two feet. From there, she scampered over the
surrounding manicured hedgerows as if she had fled the palace a hundred times
before. Her unbound dark hair flapped behind her, and the cool night breeze
fluttered her black silk nightclothes against her skin like a thousand
butterfly wings. It was the feeling of freedom breathing against her, and she
had to clamp her teeth against the giggle that threatened to ruin her escape.
She
slowed and picked her way through the darkened brambles of the forest grabbing
at her legs. The first time, she slipped away from dinner in her normal evening
attire—a midnight-black corset latched with brass clasps, a starched skirt of
blood-red silk, and a sweep of silk over her shoulder for the traditional touch
the Queen required. Aniri thought the dark colors would ease her escape, but
she had stuck to the needled branches like a royal pincushion. The second time,
she cast aside the bodice and most of the silk, keeping only her short bloomers
and camisole—essentially running through the forest in her unmentionables. That
had been deliciously decadent, but also very chilly. This time, her
nightclothes were proving the most suitable costume yet for midnight escapades.
She
smiled and slipped through the forest like a phantom, black on black, silent
and stealthy. The faint trace of coal smoke gave way to the fresh scent of
leaves mixed with river mist. She breathed it deep: the lushness of it always
captivated her. The Queen had imported trees and beasts from the barbarians in
the north to recreate the Dharian forests long ago swept away by agriculture.
Fortunately, her majesty favored the gentle animals sacred to the gods. Aniri
was careful not to disturb a long-tailed bandir hanging from a branch, eyes closed
and peaceful. She didn’t believe the superstitions about waking one, but she
couldn’t afford the screech it would let loose.
Aniri
broke out of the forest and onto the wet rocks bordering the river. The
footbridge ahead was a silent sentinel over the constant chatter of the river.
There was no sign of movement. Was she too late? But then Devesh stepped from
the shadows, showing his face to the moons as if he had nothing to hide.
She
skittered over the slippery rocks and flew into his arms.
“Aniri,”
he said, but she was uninterested in wasting precious moments with words. She
shut him up with her lips pressed fiercely to his. He closed his dark,
humor-filled eyes, and wrapped his arms around her. Being a courtesan, he was
well-trained in courtly conversation, but the artistry of his lips moving slow
yet urgent against hers made her forget her own name.
**********************************************
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Amazon:
http://bit.ly/SKQonAmazon
Barnes&noble: http://bit.ly/SusanonBnN
iTunes: http://bit.ly/SKQoniBookstore
kobo: http://bit.ly/SusanonKobo
Barnes&noble: http://bit.ly/SusanonBnN
iTunes: http://bit.ly/SKQoniBookstore
kobo: http://bit.ly/SusanonKobo
AUTHOR BIO:
Susan Kaye Quinn grew up in California, where she wrote snippets of stories
and passed them to her friends during class. Her teachers pretended not to
notice and only confiscated her stories a couple times.
Susan left writing behind to pursue a bunch of engineering degrees, but she was drawn back to writing by an irresistible urge to share her stories with her niece, her kids, and all the wonderful friends she’s met along the way.
She doesn’t have to sneak her notes anymore, which is too bad.
Susan writes from the Chicago suburbs with her three boys, two cats, and one husband. Which, it turns out, is exactly as a much as she can handle.
Susan left writing behind to pursue a bunch of engineering degrees, but she was drawn back to writing by an irresistible urge to share her stories with her niece, her kids, and all the wonderful friends she’s met along the way.
She doesn’t have to sneak her notes anymore, which is too bad.
Susan writes from the Chicago suburbs with her three boys, two cats, and one husband. Which, it turns out, is exactly as a much as she can handle.
Author Links:
This looks sooo good!
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